In reference to the music of Silvermouse
[Silvermouse] utilizes off-kilter beats and psychedelia to produce highly danceable music that will keep you guessing… you’ll feel like you know these songs in what can only be described as a primitive and evolutionarily ingrained sense of rhythm and beats…you’ll be humming the group’s tunes for days, wondering how music can be this good and why you didn’t know about Silvermouse sooner.
- Alex De Vore, Santa Fe Reporter
It reminded me of why I dance all night, meeting strangers without words, without ego, letting the euphoric electronic sounds control my emotions, and how live electronic sounds bring me back to earth. You do it with style. Silvermouse are Earth Trance.
- Eddie Bammeke, Techno / Trance Producer, London, UK
It’s fun to listen to, but to see [Silvermouse] live is just a treat!
- Nancy Laflin, New Mexico Music Commission
There’s something about the guitar sound – I love this stuff!
- Lucio Urbano, KUNM
Infectious and intriguing… There is an up surge in this genre, and Silvermouse is obviously on the forefront of it. You can hear the innovative new wave sound with deep interpretation of the world around them.
- Paul Ruth, The Independent Music Scene
Silvermouse is much more than a run-of-the-mill electronic group. The instrumentals take it to a new height of creativity and fun. A+.
- Alex Devore, The Santa Fe Reporter
Anyone who likes to dance should make a trip and check them out.
- Charlotte Jusinski, SFReeper.com
In reference to the music composed for
Double Edge Theatre’s the UnPOSSESSED:
The mayhem is accompanied by a haunting score, performed by the actors, who play the mandolin, guitar, violin, cello and accordion.
- Liesl Schillinger, New York Times
…What makes the production work best is the collaborative efforts of the remaining four members of the ensemble who assume multiple roles and serve as puppeteers and musicians. Guitars, violins, a cello and an accordian are all used to perform the odd yet especially effective Justin Handley score. If you get it, you’ll love it.
- Nick Dussault, Metro
Stacy Klein has taken her ambitions and concerns even farther in her collaboration with the argentine Carlos Uriona, a transfiguration of the Knight of the Sad Visage, visionary and demented, and with Matthew Glassman, who plays Sancho Panza, and with the devotion of the whole troupe, whose inventions are multiplied thanks to the inspired and moving score composed by Justin Handley, and interpreted with mandolin, guitar, violin, violoncello and accordion.
-Alfonso Armada, ABC Spain
In reference to the music composed for
Double Edge Theatre’s Master and Margarita:
For Bulgakov, those other things include stilt walking, fire throwing, dancing, climbing on long silk ropes, and a score by Justin Handley that carries hints of everything from klezmer to bluegrass to chant.
- Louise Kennedy, Boston Globe
